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"Saturday May 29 will see a fresh addition to the annual NZ Music Month calendar with the first national Recording Studios Open Day.īetween midday and 4pm, a variety of professional studios around the country will open their front doors to anyone interested in taking a look inside. Event co-ordinated by NZ Musician magazine. Knights of the dub table - Sing it to me - Optymus Grime remix Roots Manuva - Again and again - Moody Boyz remix Jah warrior - Voice of the spirit dubwiseĬrab Corporation meets King Hammond - Bring down the birds Pointer sisters - Theres love in them there hills Red dynasty feat Daemang - Wandering heroes JC Brooks and the uptown sound - I am trying to break your heartĬentry meets the music family - TestamentĬocoa Tea, Home T, Shabba Ranks - Pirates anthem See Vanity Fair - Dennis Hopper's Photos, and Hopper in Alabama, 1965, photographing Martin Luther King Jr. I met most of the Pop artists before they ever had shows." From New York Magazine. So I took photographs of Martin Luther King and Selma, Montgomery, as history, and selecting artists that I thought would make it. I wasn't really working as an actor during this period, and I thought, Well, if I'm not going to be able to work as an actor, I might as well be able make something that's going to be credible. I photographed the ones I thought were going to make it. Hopper: " I really started taking photographs of artists. I recall seeing photos of it once in a magazine, it was a spectacular collection. His multi-million dollar art collection, is housed in a magnificent fortress-like Frank Gehry-designed house in the Los Angeles suburb of Venice. He knew a lot of young artists before they became famous, taking their photos. Hopper was a great actor and director, but also a photographer and artist. New York Magazine interviewed Hopper recently: ".once for his role in 2008's Elegy and again last September about his second career as a photographer." It wasn't my liver, my kidneys and all that stuff that went. My resulting Herald story about a rehabilitated Dennis Hopper was reprinted globally, perhaps because of the wild and crazy quotes: "I didn't consider myself an alcoholic, I just drank all day long. Thus began a tortured, 10-year relationship.
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I pried at its edge with my keys until the trap cracked loose. "It allows hot air to circulate." The lint trap wouldn't budge. Hopper stooped to ponder the dryer's crammed contents. A washer and dryer stood at the foot of the stairs to his Venice studio. Upon visiting Hopper for that story: "Uh, like, man, sorry, you gotta come in through the garage." His limp handshake trembled. Seemed like a potential story for my then-employer, the Los Angeles Herald-Examiner daily newspaper. And he was broke - at that time, Hollywood considered him unemployable. I soon discovered that the gallery crasher was Hopper, that he'd fled his Taos, N.M., home of more than a decade, attended a minimum of three Alcoholics Anonymous or Cocaine Anonymous meetings a day, and narrowly escaped being institutionalized while straitjacketed in a psychiatric ward. It was difficult to recognize the manic performer I'd admired in Francis Ford Coppola's "Apocalypse Now" and Wim Wenders' "The American Friend." That outrageous hipster of "Easy Rider"? Nowhere to be found in this anxious loser. was the year I began to notice a ghostly figure nervously hovering at Westside art openings. See "An uneasy ride with Hopper", LA Times. Read this great remembrance of Hopper from Richard Stayton, his biographer, who started on Hopper's official biography twice, then had to face Hopper scrapping it.